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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond at Leeds in 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the duo scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He subsequently formed the pioneering techno group The Grid, who achieved chart success with 1994's Swamp Thing.

Ball died calmly in his rest at his home in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I ended up damage myself significantly," he stated in a recent interview. "I broke lower vertebrae in my back and cracked about multiple ribs and fractured my arm."

Following catching pneumonia and developing blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for half a year.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he worked on a fresh record with Almond, titled Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the latest project that we actually completed only a few days ago," said the singer in a heartfelt message.
"It's so sad as next year was all set to be such an positive time for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant aspect of my life and for the songs you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is different from being in a band, the connection is incredibly close," he added.
"That was the case with us. We went through so many remarkable, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Early Life

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who changed his given name from Paul to David, alongside his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Fuelled by a shared love of a music genre, they formed Soft Cell the very year, and quickly recorded an EP.

Creative Collaboration

The duo were an unusual combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a unique creative synergy.

Ball had cultivated a interest with synthesizers after watching Kraftwerk appear on BBC science show Tomorrow's World, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second most popular single of 1981, shifting millions of copies worldwide. Together with successful tracks by Gary Numan, contemporary bands and Ultravox, it helped paved the way for the electronic music style of the 1980s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The pair were working on new material right up until Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to afford my first home, having money and travelling, which might seem like a Miss World," Ball not long ago told with a music magazine.

But it also caused challenges. "Newfound wealth meant we could purchase substances to alleviate the boredom" of press appearances and TV performances, Ball said.

"I know that's a cliché, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to create a second classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a successful individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the Top 40 record Cruelty Without Beauty.

Following a further break, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on 30 September, 2018.

Yet, they stayed together, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately described the band's new album as a tribute to the New York club scene they visited while making their initial records.

He noted that his time in hospital had influenced the group's music.

"I had unusual memories when I was coming and going of hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my mind from that time.
"Simultaneously, it's about the times we had in the 80s."

The last versions were finished only a short time before Ball died. It is due for release in the spring of 2026.

The writer

Heather Perez

A tech analyst specializing in AI and computer vision with over a decade of industry experience.

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